Curating a Private Luxury Gallery of Child Art

In this group of artists, intimacy, memory and abstraction converge in different ways, but all share a sensitivity to the short lived: the ignored image, the half-remembered place, the unstable boundary in between what we see and what we feel. Together, they form a quiet but insistent meditation on how implying builds up in common life.

Taken together, rendered in her distinct painterly style, these retellings of easily-forgotten moments show how a common life, when analyzed from a particular viewpoint, starts to radiate a palpable sense of significance.Rosemary Burn Bowl of cherries, 2025 Mona Sultan's photocollages explain the fragmentary nature of memory and significance, calling photographic fact into question by breaking down, recontextualising and repeating images. Stabilizing organized accuracy with a distinctly human, necessarily imperfect visual perceptiveness, his paintings are easy going abstractions for the digital age.Luke Rudolf Fizzog 4, 2025 Jo Berry's airbrushed paintings give physical forms to images that we usually see via a screen andquickly forget, such as stock photographs and ReCAPTCHAs. To me, her distinct language hazy, misshaped, discreetly upsetting reflects the alienation and dissociation intrinsic in a world filled with imagery that seems to appear and vanish ever-more quickly. A shadow, a handstand, a sheer curtain draped over a houseplant: by photographing such things, he gives them a 2nd life in which they end up being long-term. Emile Kees Handstand, 2023 Jo Hummel's minimalist abstractions have a certain ahistorical quality; they link several histories of product experimentation and production from around the world within a distinct visual language. They situate the audience within landscapes that feel endless with a low mist hanging over the horizon. Though unfamiliar, these images are deeply tranquil, inviting you to savor the simple pleasures of a constantly twilit, pastoral world.Llus-Carles Peric Cap a La Calma, 2014 The scenes that Bianca MacCall paints a train window showing the carriage's interior over the passing landscape; a barely-visible vehicle concealed by an ochre-yellow curtain appear intentionally mystical. They make me believe about the synchronised absurdity and charm of the world in front of me, thinking about familiar scenes through an unknown lens. Bianca MacCall Continuous Movement, 2023 Henry Ward's painting practice is ever-shifting. In reality, if you stand in front of among his paintings for long enough, you may see it change in real time. The unclear, unpredictable nature of his work is what makes me keep returning to it.Henry Ward Bethany III, 2023.